This month’s guest writer Ira Brooker grew up in the deep Wisconsin woods. He and his wife are raising a city boy more accustomed to mighty machines than mighty oaks.
The machines arrive each morning before seven. Their cacophony of beeps, clanks and belches is the first thing I hear upon waking. In the next room, my son Selby hears them too. I imagine he feels a tiny ripple of anticipation every day as the cobwebs clear and the sounds begin to take shape in his head. At 19 months, patience is far from his greatest virtue, but in this case he seems to have made peace with waiting. He knows he’ll be with the machines soon.
Selby is a city kid. More than a year and a half into this fatherhood bit, I still can’t quite get my head around that. I grew up in the woods. Not on a farm or in some rural subdivision, but in the middle of the deep dark forest in the hilly country of Western Wisconsin. My family’s nearest neighbors lived nearly a mile away across a corn field. Our only bathroom was a wooden outhouse handcrafted by my father. Our rare visitors had to maneuver a quarter-mile of rutted driveway interrupted by a fast-flowing creek at the midway point.
My son, in contrast, can hear the crackling speaker of the Wendy’s drive-thru from his backyard. He negotiates city buses as easily as any grizzled urban warrior. And his favorite form of daily entertainment is watching the machines. We live half a block off of University Avenue, the future site of Saint Paul’s much-anticipated light rail line. Nearly every day, I take my son by the hand and walk him up to the corner to watch men in yellow helmets tear up a major metropolitan thoroughfare using equipment half the size of our house. A few years from now, they’ll have built a state of the art rapid transit system that stops just outside our door. My son is absolutely enthralled by this, and why shouldn’t he be?
Watching him watch things is one of my greatest joys. The focus he puts on these earth-movers and hole-diggers is so intense that I suspect he could operate one from memory if he only had the size and strength. I can recall being similarly rapt when I was a kid, but it was the relative nothingness of sumac groves and babbling brooks that held me in thrall. Selby drinks in what Petula Clark called “the rhythm of the traffic in the city,” unfazed by churning traffic and passing vagrants. These are just the ambient noise of his everyday existence. I love to see it, but it also makes me uneasy.
Even though I’ve lived in cities for years, I’ve think of myself as a country boy at heart. When you’re raised on grassy pastures, starry nights and unbroken solitude, it’s hard to throw it over completely for the city. My wife Myra is in a similar situation, coming from a sleepy town of barely 1,000 people. For us, the Big City was a destination, a far-off place full of wonder and danger. For the boy we’re raising, small towns and farmscapes will be the exotic outposts. Will he dread visits to his grandparents’ homes, where the nights are silent and there’s no Target right up the street? Will he dismiss country folk as backwards yokels? Will he gag melodramatically every time we drive past a manure-coated cornfield?
I surely hope not, but as with most things, only time will tell. Maybe someday Myra and I will relent in our determination to be city folk for life and trade in culture and convenience for small-town stability. But for now, all I can do is offer Selby my halting guidance through an urban jungle I can barely navigate myself. And keep watching the machines.
Ira Brooker is a writer and editor currently based in Saint Paul, Minnesota. His day job allows him to work from home three days a week, which affords his son ample oppotunity to watch the machines from multiple angles. Ira blathers about pop culture at A Talent for Idleness and is in the process of getting irabrooker.com up and running.